Theatre 101 – Fall 2021 PERFORMANCE TREATMENT – CHOICES (Choose 1): Frankenstein (National Theatre Collection) Frankenstein is a stage adaptation by Nick Dear of Mary Shelley’s 1818 novel Directed by Danny Boyle She Loves Me (Broadway HD) With a book by Joe Masteroff, lyrics by Sheldon Harnick, and music by Jerry Bock. Directed by David Horn **ALL SHOWS ARE CAPTIONED BUT PIPELINE HAS THE BEST CAPTIONING.
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REVIEW THE COURSE ACADEMIC INTEGRITY POLICY IN THE SYLLABUS. This will be submitted via SafeAssign in Compass and any document in violation of the policy (having improper or lacking citations, overt similarities to other works, copying, facilitating, improper consultation) will result in the policy being strictly enforced.
QUESTIONS YOU MUST ADDRESS: We do expect formality and proper academic writing style in your answers. Any supporting, outside research or resources should be cited properly using the appropriate MLA style guide. For such a style guide you might visit the library or the Writing Center. It should be
about 2-3 pages in length. ?
1. Describe the central conflict of the required performance viewing option you were assigned as you understood it from the production. (See text pg. 33 for definitions.) Give specific examples to support your conclusions.
2. Describe the actors use of the actors instrument (See text pgs. 46-49 for definitions) in their performances. How did the actors use voices and bodies to create characters? How did their work communicate with the audience? Were they successful in creating characters- is so why
and if not why not? Give specific examples to support your conclusions.
3. Examining the work of the costume designer- evaluate the effectiveness of the design choices made in the production. (See text Ch. 5 for design definitions.) Did the costume design work in supporting the production? What information could you gain from the costume design choices made? If something did or didnt work- why or why not? Give specific examples to support your conclusions.
4. Examining the work of the lighting designer- evaluate the effectiveness of the design choices made in the production. (See text Ch. 5 for design definitions.) Did the lighting design work in supporting the production? What information could you gain from the lighting design choices made? If something did or didnt work- why or why not? (This may spill over to use of
projections if projections were used.) Give specific examples to support your conclusions. ? 5. Examining the directors work- what specific elements of staging within the production stick out
in your mind and what made them memorable? (See text pg. 166 for staging examples.) Be sure to include specific supporting examples from the production.
6. Describe, in specific detail, the final moments of the play in terms of actual events as well as how those events related to the central conflict. Was the central conflict resolved? If so- how? If not- why do you think it was not resolved? Give specific examples to support your
conclusions. ? 7. Please offer your thoughts as to why the University of Illinois Department of Theatre might
choose to produce their own live production of the required performance viewing option you were assigned. Would this be something college students should perform? Would this offer something interesting to a college community to see such a performance live? Support your
conclusions with specific examples.?
8. What do you feel this production of the required performance viewing option you were
assigned communicated to the audience? Support your conclusions with specific examples. ? 9. What appealed to you about the production and why? (You dont have to like the whole
production, but we do want you to focus on at least some things that appealed to you. Provide specific examples and explain why.)
HOW WILL I BE GRADED? This assignment is worth 350 points. 35 points will be assigned based on evaluation of format (spelling, grammar, punctuation, citations and the like). Each question will be worth 35 points. You will be evaluated by assessment of the following: Did you completely answer the questions provided? How successfully did you apply concepts from class to practices in production through your brief answers? Is it clear you attended the production? Note: Should it be determined that you did not actually view the performance, you will forfeit the grade for this assignment. By submitting a performance treatment for a production which you did not view you will also be subject to the course academic integrity policy- please see the syllabus for details.
EXAMPLE OF PARTIAL ANSWERS: Below are examples that we would consider to be only PARTIALLY successful. These are offered as a starting guide for your writing- for full credit you should expand the following: offer multiple observations per individual question, expand the number of your supporting examples in each question, and offer a clear and discernable conclusion based on your observations and supporting examples. AGAIN- these are examples we would consider to be only partially
successful.
Theatre 101 – Fall 2021 PERFORMANCE TREATMENT
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